Thelema Lodge
Ordo Templi Orientis
P.O.Box 2303
Berkeley, CA 94702 USA
December 1995 e.v. at Thelema Lodge
Announcements from
Lodge Members and Officers

| The passions of my youth have burned me dry | |
| And unrequited dreams stand in my eyes. | |
| They were my hopes, and now they ill disguise | |
| My futile gesturings. They pass me by. | |
| I would admit no mystery so high | |
| As to be sacred from my questing pries, | |
| Nor would I seek defeat in compromise | |
| But stood athwart the sky-winds; such was I. | |
| The bright-eyed dreams of youth are dead and gone, | |
| My destiny is done, my die is cast. | |
| Perhaps there will be surcease with the dawn; | |
| Perhaps, but I have thought that in the past. | |
| The wheeling universe grinds on and on | |
| Insensible, insatiate, and vast. | |
Originally published in The Grady Project 1 (Berkeley, CA: Thelema Lodge, O.T.O., October 1987). This poem, written at Chartres in France after the Normandy invasion, was what Grady himself later described as "sort of a real downer trip," although when he sent it to Crowley a few months later it was singled out to his surprise for special praise.
| -- General Albert Pike 33° A.A. Scottish Rite, Morals and Dogma (new and revised edition, 1950), 352-3. |
| -- Peter Tomkins, Secrets of the Great Pyramid (New York: Harper and Row, 1971), 261-2, with reference to The Secret of Ancient Geometry by Tons Brunes (Copenhagen: Chronos Press, 1967). |
| In wings of spirit I take flight | |
| And shift my shape throughout the night. | |
| The breath of wind is ever still | |
| Felt throughout this holy hill. | |
| I fall three times to rise anew | |
| Serpents' poison healed by dew. | |
| Phoenix rising on this path | |
| I feel the strength of storms and wrath. | |
| Enflamed by fires of true will, | |
| O holy angel, my heart is still, | |
| For I have fallen and died in flight | |
| Almost blinded by thy sight. | |
| I rise and stand before the veil | |
| Of mystery and silence on this trail | |
| A gift of breath and visions bright | |
| Floods the pyramid with holy light. | |
Inspired by Crowley's HHH, MMM I, with poetic license.
Derived from a lecture series in 1977 e.v. by Bill Heidrick
Copyright © Bill Heidrick
D
as an emblem for use in their work. It is derived in part from a crucifix
illustrated in a collection of early Rosicruciana variously titled Cosmology or Universal Science. Cabala. Alchemy. containing the Mysteries of the Universe, regarding God Nature Man, the Macrocosm ad Microcosm, Eternity and Time explained according to the Religion of Christ, by means of The Secret Symbols of the Rosicrucians of the Sixteenth and Seventeenth Centuries, Franz
Hartmann, Occult publishing Co., Boston, 1888 (reprinted by Health Research of
Mokelumne Hill, CA in 1969 e.v.) or, more simply and less colorfully, Secret Symbols of the Rosicrucians of the 16th and 17th Centuries, AMORC popular
edition, 1967. The Rose itself is apparently an addition by the G
D
.
Recall that in the rainbow there is a color sequence: Red at the top going
down into violet at the bottom of the arc. This is the essence behind
assigning color to the Hebrew letters in the King Scale, the one that is most
often used for the paths on the Tree of Life. This arrangement does not make
much sense there, because it is based on this diagram rather than the Tree of
Life itself. In the Sepher Yetzirah the Hebrew letters are divided into three
types: Three Mother letters, seven Double letters and twelve Singles. This
is the way the colors are obtained. In the middle of this diagram are Aleph,
Mem and Shin. Aleph is yellow, Mem is blue, and Shin is red. Those are the
three primary colors. From them all other colors can be derived by mixing.
Aleph has the property of air in the Sepher Yetzirah. Mem is Blue and
corresponds to water in the Sepher Yetzirah, and Shin corresponds to fire.
The sounds of the Mother letters mimic these elements: Aleph is a breath of
air with hardly a sound to it. Mem is a hum like water coursing or rolling.
Shin is the hiss of fire. These things are chosen by signature, mimicry of
nature and given corresponding colors. That borrows a little from Netzach,
where the natural element comes in, but the choice and structure goes to Hod
thinking. The ring just outside the inner ring has the seven double letters,
colored with the seven colors of the spectrum and corresponding to the seven
ancient planets. Their order is not systematic, but the colors are in
sequence. The outermost ring is for the twelve signs of the Zodiac and the
twelve Simple letters or single letters that match them. An extended rainbow
of primary, secondary and tertiary colors runs around it in order, with
crimson or violet-red closing the gap for Qoph and Pisces to complete the
circuit.
That's a fairly recent innovation. There
was some knowledge of it in the distant past, but it's only in the last 150
years or so that people have been working with this kind of device. Oddly
enough, without too much jiggling a lot in it matches very old systems. The
seven prismatic colors do match many of the old ways of referring to the 7
planets. The red of Mars is there, but some of the others are a little less
obvious. Yellow for Mercury is not that common; orange is a little more
common. Orange for the Sun is acceptable and Green for Venus is quite old.
Blue for Jupiter is known from old tradition and Violet for the Moon can be
seen in chloride of silver. There is a pattern here that is almost the same as a common ancient pattern of coloring these planets, a good compromise.
That's probably why the Golden Dawn insisted upon this system being used for
the colors of the paths. It seemed a powerful device, an impressive
discovery. The Queen scale lists a collection of alternate colors that have
been used: Air -- like the blue of the sky, so Aleph is sky-blue in the Queen
scale. The vapor of mercury is purple or violet in color, so Beth, which
corresponds to Mercury, can be assigned to purple. The second-string opinions
were put in the Queen scale. The Emperor scale is a simple mixture of the
colors in the King and Queen scales. There are one or two exceptions, but
that is the basic method. For example, Bright Pale Yellow and Sky Blue mix to
give a form of Green. Some of the names for these colors are a bit odd; e.g.
blue-emerald-green and new yellow leather. Those names come from a color set
available in the 1890's and made by Winsor-Newton Ltd. Many of them are still
sold as opaque water colors (WN Designers Gouche) in tubes. Some of the
members of the Order of the Golden Dawn apparently insisted that certain
colors were still being left out. The Empress scale is the funk section but
also has a system. This system reflects back to the rose diagram. The three
mother letters that are in the middle of that diagram and, in the King scale
as yellow, blue, and red, are flecked in the Empress scale. Aleph in the
Empress scale is emerald flecked with gold. Mem is white flecked purple.
Shin is vermilion flecked crimson and emerald. The 7 double letters are
rayed. The 12 single or simple letters are plain, just one pure color, with
an unusual instance. This was the letter Qoph, attributed stone color in this
scale, but light translucent pinkish brown in the King scale and buff flecked
silver white in the Queen scale. Ordinarily flecked colors are not in that
scale at all. They are over in the Empress scale normally for the mother
letters. So why is this done? Look at the zodiacal sign attributed to Qoph:
Pisces. This flecking was the Golden Dawn's way of calling attention to the
fact that they were in the Age of Pisces. In the Aquarian Age this color
should now be changed, if we are to be consistent with the system underlying
the G
D
attributions. It's a question of what to do with Aquarius and
Tzaddi as well. A flecking is probably appropriate for that instead of Pisces
and Qoph in the Queen scale. Crowley did some manipulations with the Tarot
cards, moving the Emperor and the Star around to reflect the astrological
world age. These kinds of things, although they are not primarily Qabalistic,
involve thinking and do flow into the use of Qabalah. Astrology and other
disciplines do play a part in Qabalah, as the Sepher Yetzirah shows by mentioning them.
| Netherwood, The Ridge, Hastings, England {14 March '46} | ||
| Dear Grady,
Yours fraternally,
Capt. Grady L. McMurtrie{sic} | ||
M on AOL asked about racism in the Order and in Crowley.
Q on AOL stated: "Sex has to be the basis of Thelemic Magick."
A
uses sexual imagery in some of the Class A libers, but it's much less
intrinsic than in the O.T.O. approach. Thelema itself uses sexual roles in
Liber AL, but does not mandate anything about sex magick per say.S.B. described an inscription in a copy of Liber AL:
| 12/3/95 | Lodge Luncheon Meeting 12:30 | Thelema Ldg. | ||
| 12/3/95 | Gnostic Mass 7:30PM Horus Temple | Thelema Ldg. | ||
| 12/4/95 | Thelema Lodge Library night 8PM (call to attend) | Thelema Ldg. | ||
| 12/9/95 | Class: Yoga for Yahoos w/Ann 1PM | Thelema Ldg. | ||
| 12/10/95 | "Angelmas" Grace North Church 3PM | |||
| 12/10/95 | Gnostic Mass 7:30PM Horus Temple | Thelema Ldg. | ||
| 12/11/95 | John Dee reading group 8:00PM with Clay in the Library | Thelema Ldg. | ||
| 12/13/95 | Sirius Oasis meeting 8:PM Berkeley | Sirius Oasis | ||
| 12/16/95 | O.T.O. Initiations Noon (call to attend) | Thelema Ldg. | ||
| 12/17/95 | Gnostic Mass 7:30PM Horus Temple | Thelema Ldg. | ||
| 12/18/95 | Section 2 reading group, 8PM at OZ Comte de Gabalis. | Thelema Ldg. | ||
| 12/20/95 | Thelema Lodge Library night 8PM (call to attend) | Thelema Ldg. | ||
| 12/22/95 | Winter Solstice Ritual at Oz House 7:30PM (Sol ent. Capricorn 0:17AM) | Thelema Ldg. | ||
| 12/23/95 | Class: Yoga for Yahoos w/Ann 1PM | Thelema Ldg. | ||
| 12/24/95 | Gnostic Mass 7:30PM Horus Temple | Thelema Ldg. | ||
| 12/25/95 | Lesser Feast of the Aeon of Osiris | |||
| 12/29/95 | Astrological Cycles workship 7PM with Grace in Berkeley | Thelema Ldg. | ||
| 12/31/95 | Gnostic Mass 7:30PM Horus Temple | Thelema Ldg. |
Thelema Lodge
Ordo Templi Orientis
P.O. Box 2303
Berkeley, CA 94702 USA
Phone: (510) 652-3171 (for events info and contact to Lodge)
Production and Circulation:
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